The combination of architecture, furniture and painting was the big innovation of Jugendstil. Everything had to submit in form and design to the whole. Paintings, like furniture and crockery, were especially made for certain rooms.
The Mosaics with their ornaments, figures and gold background impressed Klimt deeply. Due to these Mosaics gold became more and more important in his paintings: Klimt's "Golden Period".
oil on canvas
1907 - 1908
180 x 180 cm
![]()
painted on finely knotted canvas
The bonding agents (pieces of oil and resin) are absorbed immediately
by the ground after the work process is being completed.
This way the layer of oil pigment is being forced onto the surface of the
almost fat free ground.
relatively high stability thanks to the composition of surfaces in layers without hardly any intervening protective coating
no protective surface at all, for that reason relatively vulnerable
no final protective coating
immediately after completion the applied structures of colour were drying
up quickly resulting in a non adequate, atypical structure of the surface
modelled on byzantine frescos and background of Gothic panel paintings
same as on ground
with the help of a piping bag the desired spiral and box ornamentation
was put on the ground
covered with layers of gold-plating as well as covered with multi-coloured
alloyed gold-plates
is the coating on of thin gold platings on metallic or non-metallic
pads. The gilding can either be carried out by hammering on of gold foil
or by application of manganous-gold (followed by the quicksilver's evaportating,
so called fire gilding).
Metallic items are mostly gilded in galvanic baths, or by dipping them
into golden salt solutions (from which gold disengages on the basis of
its high positive normal potential).
Julia (further
information),
Nicole (further information),
Ursula (further information)